There’s something very appealing and challenging in his work: the balance he maintains in addressing complex themes rooted in the relationship with time, the concepts of family and generation, and questions of identity and belonging emerging from the context of a country as complex as South Africa.

Marking the first major presentation of his work in over twenty-five years, this exhibition celebrates the revolutionary late 19th-century printmaking of American master James McNeill Whistler through approximately 125 exceptional etchings and lithographs.

The exhibition Richard Avedon per Versace 1983–1984 has come to a close at Deposito À, concluding a powerful journey through photography, fashion, and the visual culture of the 1980s

Studio la Città will reopen on Saturday May 16 2026, from 4PM, to mark the opening of four new exhibitions

On 2 May 2026, for the occasion of Artinrete 2026, Studio la Città is delighted to unveil The Ties That Bind Us, an event-specific installation by Kevork Mourad, alongside an installation of five Totems by Franco Passalacqua.

From March 31 to July 19, 2026, the Institut du Monde Arabe in Paris presents Slaves in the Mediterranean, 17th–18th Century, an exhibition that explores the histories of captivity and slavery across the Mediterranean between the

Art and nature converge in Vicenza: Herbert Hamak transforms the Forest of Villa Valmarana ai Nani into an immersive experience of light, form, and landscape.

An ecosystem that brings together contemporary art, design, and electronic music in a dialogue between creative languages and cultures. Featuring works by Marcella Dvsi, Lucas Reiner, George Nakashima, Tracey Snelling, and Federico Borroni, accompanied by a vinyl selection curated by Fabio Slider.