A new ecosystem that blends design, contemporary art, electronic music, and creative cross-pollination.

A fluid space that seeks a point of intersection between creative cultures, operating through an ongoing process of cross-pollination.

The exhibition brings together the wearable metamorphic sculptures of Marcella Dvsi; the premier of the film/video work Between Hope and Alameda (2020) by American artist Lucas Reiner; the masterful woodworking design of George Nakashima in the main space; a selection of works by Tracey Snelling installed in the Vinyl Room within the collection of 45 000 electronic music records spanning from 1980 to the present; and the ceramics of Federico Borroni, presented within the more secluded area of DEPOSITO A.

The sound environment is shaped exclusively through a curated selection of 50 LPs mixed by Fabio Slider, traversing ambient, dub, industrial, and experimental genres. Entirely sonic in nature, the soundtrack subtly infiltrates the private and existential atmospheres of Tracey Snelling’s sculptural environments.

Vinyl—a cult object, currently mainly secluded to the specialist, DJ-only sphere—is recontextualized this time for a wider audience, activated within a resonant, immersive environment.

Opening | February 28th, 2026, Via XX Settembre 31/B, Verona, from 11:30AM to 2:00PM and from 6:00PM to 10:00PM.

From March 1st, 2026, Wednesday to Saturday, 3:00PM – 8:00PM, or by appointment.